In the 1953 Egyptian cinematic masterpiece Raya and Sakina, the character Raya, portrayed with chilling, sociopathic detachment by Negma Ibrahim, delivers a line that serves as a profound masterclass in the psychology of the aggressor. Emerging from the basement where she has just murdered a woman, Raya complains with genuine grievance: “The woman, while I was strangling her, bit my hand! You’d think I was her enemy!”
This scene is more than a moment of dark cinematic absurdity; it is a clinical observation of a specific moral pathology. It perfectly encapsulates what we might call the “Indignant Predator”, a mindset in which the perpetrator views their own violence as mundane routine, and the victim’s self-defense as a personal insult or an act of aggression.
While Hannah Arendt famously coined the phrase “Banality of Evil” to describe the thoughtless, bureaucratic machinery of the Holocaust, Raya represents a different stage of the same disease: an evil that is not only banal but feels itself to be the aggrieved party. It is a psychological inversion in which the act of killing is treated as “work,” and the victim’s struggle is recast as “aggression.”
When we apply this lens to modern academic discourse, specifically the influential work of Edward Said, we find this same sentiment operating through a startling narrative inversion: the “bite” of the historical victim has been reframed as the “stranglehold” of the aggressor.
Said’s Orientalism is often championed as the definitive critique of Western aggression against the East. Yet Said’s narrative performs a massive act of contextual excision. By starting the historical “clock” at the Napoleonic invasion of Egypt in 1798, Said and his followers treat Western intervention as a sudden, unprovoked act of strangling. To sustain this narrative of the West as the original and sole predator, one must willfully ignore over a millennium of actual “strangling” that preceded it, actions that have defined the relationship between the Occident and the Orient since the 7th century.
This omitted history is not composed of minor skirmishes but of world-shaping imperial projects. It includes the devşirme system, through which the Ottoman Empire forcibly took Christian children, converted them, and turned them into Janissaries to further subjugate their own kin. It includes the twice-attempted conquest of Europe at the gates of Vienna (1529 and 1683), campaigns in which the predator was not the Frenchman in Cairo, but the Turk at the heart of Europe. Furthermore, it ignores the Barbary slave trade, which represents a massive, centuries-long stranglehold that the modern narrative has almost entirely sanitized. Between the 16th and 19th centuries, North African corsairs operated a sophisticated industry of human trafficking. It is estimated that over one million Europeans were captured and enslaved, with “Naval Jihad” raids reaching as far as Ireland and Iceland. Coastal villages were emptied, their inhabitants dragged to the slave markets of Algiers and Tripoli. This was not a matter of interpretation. The doctrine was stated plainly by Tripoli’s own ambassador, Sidi Haji Abdrahaman, when asked by Jefferson and Adams why his nation made war upon countries that had done it no injury:
“It was written in their Koran, that all nations which had not acknowledged the Prophet were sinners, whom it was the right and duty of the faithful to plunder and enslave.
Jefferson and Adams had their answer. When Thomas Jefferson re-established the U.S. Navy and the Marine Corps, immortalized in the hymn “to the shores of Tripoli”, it was not born of “Orientalist” ambition or colonial desire. It was a material necessity to stop American citizens from being sold into slavery; a state of affairs that, at its peak, consumed some 20% of the young republic’s annual budget in tribute payments simply to keep the stranglehold loose enough for trade to continue.
By framing the eventual Western response as “unprovoked colonialism,” academics like Said adopt the Raya Persona: they express moral indignation that the victim, after centuries of being strangled, finally refused to submit, and had the audacity to bite the hand at its throat.
The result of this selective history is a profound and dangerous moral asymmetry that governs modern thought. The Orient is granted a history of imperialism, slavery, and conquest, from the early Caliphates to the Ottoman Empire, that is treated as a natural, almost invisible background: a given of history requiring neither examination nor apology. The Occident, by contrast, is denied the right to recognize an enemy. Any attempt to defend itself from, or simply name, centuries of incursion is reframed as the original sin of “racism” or “Islamophobia.”
This asymmetry finds its roots in the earliest theological declarations of expansion. Whether one looks at the letter sent by Muhammad to the Prefect of Egypt, or the later letters of Khalid ibn al-Walid to the Persians, the message was always the same: “Aslim Taslam,” “Submit and be safe.”
In the mind of the Indignant Predator, this constitutes an offer of peace. The predator’s reason holds that if the victim simply allows the rope to tighten, there will be no violence. Therefore, when the victim struggles, it is the victim who is introducing violence into the relationship. In this light, the true “Banality of Evil” is not found in the act of self-defense, but in the intellectual thoughtlessness of the modern historian who sanitizes the predator.
When resistance is labeled as the “cause” of conflict rather than its “consequence,” the perpetrator is granted a moral shield that allows them to continue their work with the same chilling detachment seen in Raya, genuinely shocked that the world views them as the enemy.
In the 1953 film, Sakina is the accomplice: the one who holds the victim down, covers her mouth, and muffles the noise so the neighbors cannot hear the struggle. In modern discourse, much of the media and academia plays the role of Sakina. They function as a voluntary human shield for the aggressor, employing the most dangerous tool in the propagandist’s arsenal: the conflation of a people with an ideology. This conflation creates a condition in which the perpetrator is protected by the very identity of his victims.
We currently witness activists, journalists, and politicians carrying water for some of the most brutal regimes on earth, as long as those regimes define themselves as anti-Western. This dynamic is nowhere more vividly illustrated than in the treatment of the Islamic Republic of Iran. The media routinely conflates the Iranian people, who are currently risking their lives for freedom, with the IRGC (Islamic Revolutionary Guard Corps). In reality, the man on the street in Tehran is the primary victim of the theocratic stranglehold. Yet when Western critics challenge the theology of aggression or the ideology of the IRGC, the “Sakina” class of media accuses them of “attacking Muslims” or perpetuating “Western Imperialism.”
This is a masterstroke of narrative manipulation: it protects the hands at the throat by claiming that criticizing those hands is an insult to the throat itself. The predator’s work is thus kept undisturbed by moral scrutiny from the outside world. The same mechanism operates not merely around actions, but around openly stated intent.
Sheikh Yusuf Al-Qaradawi, one of the most influential Islamic scholars of the 20th century, with a global television audience and the formal chairmanship of the International Union of Muslim Scholars, stated plainly:
“It is our duty to restore the glory of the nation of Islam back to the days where the Muslims were rulers of the world.”
This was not a fringe voice.
In 2004, the Mayor of London, Ken Livingstone, gave Qaradawi an official reception at City Hall, publicly praising him as “one of the most authoritative Muslim scholars in the world today.” When critics raised the alarm, Livingstone accused them of xenophobia, the Raya reasoning made flesh: the hand is at the throat, the neighbor hears the struggle, and it is the neighbor who is accused of causing a disturbance.
Qaradawi’s words were not hidden; they were broadcast on Al Jazeera, documented in his own writings, and repeated across decades. The Sakina class did not miss them. They heard them, and chose the reception hall over the alarm bell.
The implications of this narrative inversion are not merely academic; they produce a form of civilizational self-harm. By accepting the “Orientalist” critique without scrutiny, the West has been coached into a state of moral paralysis. If every act of self-defense is “racism,” and every recognition of an enemy is “bigotry,” then the only “moral” path left open is surrender. This creates a vacuum in which the most predatory ideologies thrive.
When the history of the MENA region is framed as one of constant, unprovoked Western bullying, we erase the agency and accountability of the Islamic Caliphates that actually ruled the region for fourteen centuries. We also abandon the reformers within those cultures. The liberal, secular, and dissenting voices of the East, the ones who are actually being strangled, are told by Western academics that their struggle is a “colonial import.”
True moral clarity requires us to distinguish between the human being and the ideology of the predator. The genius of Negma Ibrahim’s performance in Raya and Sakina was her ability to make the audience feel the full absurdity of her character’s indignation. We see the hands, we see the victim, and we see the killer, and yet it is the killer who demands our sympathy. Modern academic discourse has made the same demand on our behalf. It has asked us to look at the rope and see a “cultural artifact,” and to look at the victim’s bite and see “unprovoked aggression.”
To break free of this inversion, we must return to a grounded, longitudinal view of history. We must stop being shocked when the victim bites back. And, most importantly, we must stop pretending, as Raya did, that the person with their hands around the victim’s throat, and the intellectual who justifies the tightening of that rope, is anything other than an enemy of human freedom.
Salam Almasri is a fellow at the Ideological Defense Institute.
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Why could we recognize the evil of the Japanese kamikazi pilot willingly dying for the Emperor god-head in 1940s, but not call out the evil of the Islamic terrorist dying for Allah in 2000s?
Japan has kept their culture to become a global leader. They do not allow Muslims to have citizenship and restrict Islamic teaching.
Brilliant! How do we get this plastered on every wall, especially in the British House of Lords (for those who are literate)?